Okay, so now I'm on version 4 of idea # 3 story. I don't want baseball player man to be that aware. I had his goal was to make peace with his dying father. But it doesn't make sense somehow that he's this aware and conscious. I want him to still be in a slump and be forced to go home by his manager and deal with his personal life. Baseball playing man doesn't think his father's illness is affecting him, everybody else including the team's owners, the manager, the media, his team buddy and his team think differently. How can the death of your father not affect you? Baseball playing man has an attitude though and he's in denial and besides he hasn't been close to his father since he was 18.

Baseball player's new goal is just get out of his slump. And I want him to be an anti-hero in a hero's profession. I don't want baseball player man to be that likable. I want him to be kind of nasty but a damned good masher. I want to him to have a dicey relationship with the media, with his team, with the league in general. He's on his 5th baseball team. He's a pain in the ass, but the boy hits 30 to 40 homeruns a year so teams are willing to deal with him. But he's on the twilight of his career and he knows it.

The new spin on the story doesn't change the plot points of my screenplay but it does change some of my scenes. I think it's a bettery story. But does it make sense, an anti-hero in a hero's profession? I don't know. By making baseball player guy unlikable, I force him to go on a hero's journey. He goes from being anti-hero to hero, from unlikable jerk to likable hero.

I read a story from M in my writing group. God, it's very good. Much tighter than her previous version. As I finished reading it, I wonder again whether I should pursue from writing. M's story is so good. Part of me thinks, well she's an english major so she knows how to write and how to edit and I'm completely and totally handicapped because I'm a sociology major, who couldn't make up her mind on what to major in so I also have a concentration on Russian language and Theatre Lit. I'm handicapped because the state where I went to school didn't have core curriculum rules and I went to a college where you were encouraged to pursue whatever the hell you wanted and you couldn't fail because there was no 'D' or 'F' grade, meaning if you got lower than a 'C' grade it didn't show up your transcript.

College was like my very indulgent parents. I did whatever I wanted and took whatever courses I wanted. And I know it sounds like heaven, but I think it's handicapped me. I was never forced to read classic literature and sometimes if I think I did, I'd be a better writer.

I'm in such a 'poor me' mode this morning, it's bad. I am in my "why do I need to torture myself and write" mood. Do all writers feel this way? Do all writers wake up practically every day and think "is this what I really want to be doing for the rest of my life?" I'm perfectly happy to be a corporate slave. I'm perfectly happy to be a mom, homemaker with kids with no other interests other than the kids and the hubbie boy. I could even be happy being a working mom worry about the quality of day care and feeling guilty because I'm not spending enough time with my kid.

But no, I want to be a writer. I want to be in a profession that everybody and their mother thinks they can do. God, it's worse than acting, where I had classes that were so crowded with pretty boys and women with rack jobs and all other assorted types who just wanted to see their mugs on film or on the stage.

It's ill, totally ill. I am at the point where I think I should just write for myself and no one else and that should be it. Then writing can be my secret hobby and I can mentally masturbate myself for the rest of my life. And then I could be happy being in a job and writing on the side. And then I wouldn't wake up and think of myself as a total failure every other morning.