I heard on the news today that if you were predisposed to a war with Iraq, Colin Powell's 90 minute presentation at the United Nations answered all your questions. However, if you were against a war with Iraq, there was nothing that Colin Powell could have said that would have convinced you to change your postion.
I thought Powell gave very convincing evidence, but I was a cautious supporter of the war before his speech.
Two things that stood out for me in Powell's presentation.
1) who is tipping off the Iraqis on the UN inspectors itinerary? Is it someone on the team, or is it a result of Iraqi intelligence.
2) Iraq has never accounted for all the chemical and biological weaponry found by the UN inspectors in the 90's. This issue is frightening for me. I'm like people, what is the silliness about having Saddam Hussein contained? I don't think so. Not if Iraq may still have the chemical and biological weaponry from that period. This is where I don't get why people don't think he's a danger, or that Hussein is a person who can reasoned with like a normal person. Whatever.
Whether the anti-war protestors like it or not, we are on a road to war. There are over 100,000 troops in the middle east preparing for the event. The cost of sending them and keeping them there is enormous, and they wouldn't be there unless we were going to war.
I don't enjoy war. I am not a war monger or a war hawk, but I also don't think the US should make the Neville Chamberlain mistake and think that Saddam Hussein like Adolf Hitler is not threat to the world.
What scares me too, is there are news reports floating around that say that our intelligence sources are showing the same amount of communication among Al-Queda operatives that they saw in the day preceding 9/11. What are those terrorists planning, and why is it so hard for the US to find them and lock them up?
S. Brenda Elfgirl - I was told I am an elf in a parallel life, and I live in the Arizona desert exploring what this means. I've had this blog for a while and I write about the things that interest me. My spiritual teacher told me that my journey in life is about balancing "the perfect oneness of a sweetness heart and the effulgent soul". My inner and outer lives are like parallel lines that will one day meet, but only when there is a new way of thinking. Read on as I try to find the balance.
Thank you for viewing / reading my blog posts! I appreciate it!
Wednesday, February 05, 2003
Tuesday, February 04, 2003
JS at Just a Pose talks about feeling homesick. When I watched "Lilo and Stitch" a couple of weeks ago, I felt so homesick.
First of all, Lilo and her sister live on the island of Kauai, where I was born and spent the first eighteen years of my life. Secondly, the music and the flower dress Lilo wore called a muumuu were so familiar to me. I wore muumuus all my life growing up, and I was taking hula lessons as soon as I was able to walk. Talk about being homesick! I wanted to head to the local store and make myself some poke, a local raw fish dish that trendy restaurants are calling ahi tuna tartare.
The movie however, also had an SF Bay area connection. The guy singing the opening theme song and the surf song, David Keali'i Ho'omalu, is someone whom I've heard in person here. I think he lives somewhere in the East Bay, and I've seee him and his hula troop at hawaiian festivals in Alameda and out at Fort Mason. I'm sure it's the same guy, because his voice is so unique.
The first time I heard him was at a hawaiian festival in Alameda. When he started walking to the stage, everyone started clapping and was so excited to see him like he was some local rock star. As soon as he chanted and sang, I realized why he was revered. His voice sent shivers down my spine. There is something so powerful and ancient in his voice, like he was channeling the ancient hawaiian spirits or something. His dance troup does hula in the old style, where it's more like religious rituals and not flowery songs. Some of the hula reminded so much of hula for men, where it's more like choreographed fighting techniques.
My only criticism of the movie is Lilo didn't speak with a hawaiian accent, which they call "pidgin english' in Hawaii. I think all of the other hawaiian characters did, but not Lilo. For Kauai, that would not be normal. If the show took place on the island of Oahu, the pidgin accent wouldn't be so noticeable, but on the outer islands the pidgin is very thick and of course, varies from island to island.
When I was growing up, the pidgin accents drove the teachers nuts and we all went through "elocution' lessons. I've pretty much lost my accent, so that most people can't tell I'm even from there, although if you pay attention to that kind of stuff you'd know. I've taken Speech for Stage classes, so my accent has been smoothed over, although I think it will always be there. And when I go home, it only takes a few days for it come back. My mother can't understand me, unless I speak in pidgin, or at least that's what she says. I think she just likes me to talk the way I did when I was a kid, because it's familiar to her. You can't fake the hawaiian pidgin accent either.
My cousin who was born in Michigan, and spent the first four years of her life in Minnesota, picked up a serious pidgin accent because she lives and works in Hawaii, but I can tell she's not native born. She pronounces certain words in a way that a native Hawaii born person would never pronounce.
My accent is all mixed up anyway. I've been told I've picked up some midwestern speech patterns, because I went to college in Iowa. I also spent some time in Southern California and NYC, so my brother keeps saying I sound like a valley girl and my acting teacher got freaked out because I had some NYC speech patterns. Then just to complicate things, I took an acting dialect class on how to speak with a proper English dialect, called RP or received pronuncation or BBC english, and how to speak Cockney, so some of those speech patterns have slipped into my accent as well. I was thinking of trying out for the play "Major Barbara" one year, and I thought taking the class would give me an edge in auditions. I never tried out for the play, but I can still do the accents quite well, although I mix them up constantly and ended up sounding like high pitched american Michael Caine.
First of all, Lilo and her sister live on the island of Kauai, where I was born and spent the first eighteen years of my life. Secondly, the music and the flower dress Lilo wore called a muumuu were so familiar to me. I wore muumuus all my life growing up, and I was taking hula lessons as soon as I was able to walk. Talk about being homesick! I wanted to head to the local store and make myself some poke, a local raw fish dish that trendy restaurants are calling ahi tuna tartare.
The movie however, also had an SF Bay area connection. The guy singing the opening theme song and the surf song, David Keali'i Ho'omalu, is someone whom I've heard in person here. I think he lives somewhere in the East Bay, and I've seee him and his hula troop at hawaiian festivals in Alameda and out at Fort Mason. I'm sure it's the same guy, because his voice is so unique.
The first time I heard him was at a hawaiian festival in Alameda. When he started walking to the stage, everyone started clapping and was so excited to see him like he was some local rock star. As soon as he chanted and sang, I realized why he was revered. His voice sent shivers down my spine. There is something so powerful and ancient in his voice, like he was channeling the ancient hawaiian spirits or something. His dance troup does hula in the old style, where it's more like religious rituals and not flowery songs. Some of the hula reminded so much of hula for men, where it's more like choreographed fighting techniques.
My only criticism of the movie is Lilo didn't speak with a hawaiian accent, which they call "pidgin english' in Hawaii. I think all of the other hawaiian characters did, but not Lilo. For Kauai, that would not be normal. If the show took place on the island of Oahu, the pidgin accent wouldn't be so noticeable, but on the outer islands the pidgin is very thick and of course, varies from island to island.
When I was growing up, the pidgin accents drove the teachers nuts and we all went through "elocution' lessons. I've pretty much lost my accent, so that most people can't tell I'm even from there, although if you pay attention to that kind of stuff you'd know. I've taken Speech for Stage classes, so my accent has been smoothed over, although I think it will always be there. And when I go home, it only takes a few days for it come back. My mother can't understand me, unless I speak in pidgin, or at least that's what she says. I think she just likes me to talk the way I did when I was a kid, because it's familiar to her. You can't fake the hawaiian pidgin accent either.
My cousin who was born in Michigan, and spent the first four years of her life in Minnesota, picked up a serious pidgin accent because she lives and works in Hawaii, but I can tell she's not native born. She pronounces certain words in a way that a native Hawaii born person would never pronounce.
My accent is all mixed up anyway. I've been told I've picked up some midwestern speech patterns, because I went to college in Iowa. I also spent some time in Southern California and NYC, so my brother keeps saying I sound like a valley girl and my acting teacher got freaked out because I had some NYC speech patterns. Then just to complicate things, I took an acting dialect class on how to speak with a proper English dialect, called RP or received pronuncation or BBC english, and how to speak Cockney, so some of those speech patterns have slipped into my accent as well. I was thinking of trying out for the play "Major Barbara" one year, and I thought taking the class would give me an edge in auditions. I never tried out for the play, but I can still do the accents quite well, although I mix them up constantly and ended up sounding like high pitched american Michael Caine.
Monday, February 03, 2003
Which OS are You?
This is so funny, because I have a wince baby laptop! This quiz comes from Gordon Zaft's blog.
I had to get blood drawn today for some routine tests, and for my own comfort I always warn the lab person how hard it is get blood out of me. I've had lab people tell me that my veins are too small, and how they can't find my them. I've had the tourniquet tied so tight around my arm, it left marks. I've opened my eyes to see to a broken needle or two in my vein. And when they do finally get the blood, I get a bruise that lasts for days. I don't give blood anymore, because it took an hour to just get half a pint and my arm was so sore.
Today was no exception. No matter how much I warn the lab technician, they never listen. They look at me insolently like they're saying "how dare I tell them how to do their job." First I told the lab tech the tourniquet wasn't tight enough, but she didn't listen. She stuck the needle in my left arm, and I could feel her moving it around because of the pain. Finally she gave up and said, "Your veins are too small and they move too. I need to try the other arm and use a smaller needle." I shot her a "I told you so" look, which of course she totally ignored.
I offer up my right arm, and I tell her again that the tourniquet is too loose. The lab tech moved it further up my arm and tightened it. Then she started tapping my arm looking for a vein, but again to no avail. Finally, she tapped my upper arm where the tourniquet was, and magically a vein bulged out. This seemed to excite her, and she quickly grabbed a needle and obtained her sample. The lab technician smiled at me afterwards and says, "Your veins are really small, and they move, but I got them." I smile and left the lab with band-aids on both arms, wondering why I bother even saying anything since it's always the same.
Today was no exception. No matter how much I warn the lab technician, they never listen. They look at me insolently like they're saying "how dare I tell them how to do their job." First I told the lab tech the tourniquet wasn't tight enough, but she didn't listen. She stuck the needle in my left arm, and I could feel her moving it around because of the pain. Finally she gave up and said, "Your veins are too small and they move too. I need to try the other arm and use a smaller needle." I shot her a "I told you so" look, which of course she totally ignored.
I offer up my right arm, and I tell her again that the tourniquet is too loose. The lab tech moved it further up my arm and tightened it. Then she started tapping my arm looking for a vein, but again to no avail. Finally, she tapped my upper arm where the tourniquet was, and magically a vein bulged out. This seemed to excite her, and she quickly grabbed a needle and obtained her sample. The lab technician smiled at me afterwards and says, "Your veins are really small, and they move, but I got them." I smile and left the lab with band-aids on both arms, wondering why I bother even saying anything since it's always the same.
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